|
 |
Workshops at Shantigar – open to everyone – provide a structured caring
means to increase powers of self-expression. Playing is life-giving, and as responsible adults, we need to consciously nourish our creativity. To meditate, move, sing, dance, to play music, to perform personal stories and dreams, to write, to paint and draw – these practices are joyous and rejuvenating.
Shantigar workshops are taught by inspired master teachers, artists for whom teaching is an advanced form of learning. Workshops are small – attention is on the individual. Providing a benevolent emotional space within which to work, the teacher and other participants in the workshop help each person feel safe in adventuring out. |
|
Shantigar 2011 Workshop Schedule |
Shantigar, a not-for-profit educational foundation is located in the Northern Berkshires on an old farm whose spectacular natural beauty nourishes creativity, healing, and the spirit. Shantigar’s mission is the practice of theater, healing, and meditation.
- Workshops, kept small, happen in a big carpeted tent with windows on the woods.
- Workshop leaders are artists offering inspiration within a disciplined structure.
- Meals are organic and delicious. If special dietary needs, tell us.
- 10% off workshop fee if paid a month before workshop. If can’t afford full fee, let us know and we’ll negotiate.
Peter Columbus, administrator
Deb Katz, executive director
Jean-Claude van Itallie, founder/artistic director
Through its mission -- the practice and exciting cross-fertilization of theater, meditation, and healing, -- and through conservation of its pristine natural environment, Shantigar nurtures and inspires individuals to engage more profoundly with the world.
Shantigar’s workshop leaders are artists who delight in teaching, original thinkers offering wisdom and inspiration within a disciplined structure. Workshops are kept small. Enrollment is limited.
Until we’ve rebuilt our theater barn, workshops take place in a big carpeted white tent with windows on the woods.
Meals are organic and delicious. They're served in the Shantigar shed. If you have special dietary needs, please tell us.
When you register, we’ll tell you if rooms are available to rent in the farmhouse or cabin. Click to view local inns and bed-n-breakfasts. There's free camping at Shantigar (we have many gorgeous tent sites, solar showers and portapotties, but no running water or cooking facilities).
To register, call (413) 339-4332, email us at email@shantigar.org, or register online via the register new buttons below. Our address is 63 Davenport Road, Rowe, Massachusetts, 01367 Deposits/Refunds for Workshops: You are welcome to remit a minimum $100 deposit and pay the remainder at least two weeks before the scheduled event. Fees will be refunded if you have to cancel more than two weeks before a workshop, less a $30 processing fee. You will receive a credit voucher for another workshop if cancellations are made within two weeks of a scheduled event. |
|
........................................................................................................................... |
Acting Meditation: Moving the Mind with Jean-Claude van Itallie, Parlan McGaw and Rae C Wright
at The Interdependence Project NYC, 302 Bowery 3rd Floor, Middle Buzzer, New York, NY, 10012
Feb. 3-5, 2012
Workshop Description:
Join us for a special weekend arts and meditation retreat. -- In the belief that acting training is also training in being a human being, we'll examine how meditation helps us connect with our creativity and cultivate the mental focus, physical freedom, emotional range, and spontaneity that make for vibrant acting and vibrant living. This retreat is a potentially transformational investigation of the process of "acting" meditation as we move through the world. The workshop will include meditation instruction and practice, sensation & awareness exercises, contemplation exercises and improvisation -- all designed to help us open the heart and deepen emotional authenticity, develop stronger presence and confidence, and strengthen our intuitive connections.
Open to all, from professional performer and avid meditator to those just beginning to explore new horizons.
Workshop Schedule
Friday Feb 3rd: 7-9pm
Saturday Feb. 4th: 10am-6pm
Sunday Feb. 5th: 10am-6pm
Participants will be encouraged to bring a light lunch and a few snacks for the day. Our "lunch break" will be brief, and the teachers have advised light stomachs for the workshop to help support somatic awareness.
Workshop Fee: $180 for the weekend
Friday Night Preview Only - $20
Registration: http://www.theidproject.org/events/2012/02/03/acting-meditation-moving-mind |
 |
Jean-Claude van Itallie, Shantigar’s founder/artistic director was central to the explosive American theater of the sixties. Author of Playwright’s Workbook, his over 30 works include acclaimed anti-Viet Nam war play America Hurrah; The Serpent (ensemble piece with Open Theater); Tibetan Book of the Dead (van Itallie is a student of the late great Buddhist teacher Trungpa, Rinpoche); translations of Chekhov’s major plays; Light; Voltaire, the Mathematician, and the King of Prussia; and his one-man show, War, Sex and Dreams. He’s taught play writing and performing in colleges and retreat centers for over 30 years. He’s currently co-writing the libretto for MILA, an opera about Tibet’s singing yogi, Milarepa. www.vanitallie.com |
|
 |
Parlan McGaw (AEA, SAG) has acted with the New York Shakespeare Festival, Old Globe Theatre, Virginia Stage Company, and other theatres in New York and regionally, and he made his film debut in Todd Haynes’s Poison. He has been an authorized meditation teacher in the Shambhala Buddhist tradition since 1993 and conducts meditation programs in New York City and upstate New York. For two summers he co-led a weeklong retreat for actors at Karme Choling Meditation Center in Vermont with master acting teacher Michael Howard, and he has taught Meditation for Actors at the Michael Chekhov Acting Studio in New York and at the Michael Howard Studios, where he is on the faculty of the summer conservatory. click here |
|
 |
Rae C Wright is an OBIE-Award winning actor, a writer, and experimenter in the theatre. She has written 3 full-length solo works and collaborated on 3 two-character plays. She uses meditation practice as part of her teaching of Actor’s Craft at NYU in Undergrad Film & TV. A one-time student of Ryscard Ciezlak, Kim Stanley, Lee Strasberg, she learned from Pina Bausch & Merce Cunningham, and most recently played the 60 year-old Argentinean Jewess in Sarah Ruhl’s “The Clean House” at Actors Theatre of Louisville, and Bernie Madoff w/text by Deb Margolin in the Circus Amok production at PS122 in NYC called “Cracked Ice”. She worked w/The NYStreet Theatre Caravan for 18 years, and believes theatre to be the be-all/end-all. |
|
| ........................................................................................................................................................................................... |
Speaking From Your Heart:
a transformative retreat with Jean-Claude van Itallie
April 12-15:
At Ratna Ling Retreat Center, 35755 Hauser Bridge Rd. Cazadero, CA. 95421
Laying the groundwork through different kinds of movement and meditation, gently guided by Jean-Claude, you’ll center yourself according to his unique disciplines,. Taking your time and staying in movement, you’ll address the circle of your encouraging fellow workshop participants. Slowly performing the powerful practice of speaking from your heart, your breath will be liberated from anxiety. You’ll easily enter remembered or imagined places, giving voice to what you see, hear, smell, touch and taste. An astonishingly muscular, personal language will spontaneously emerge from you. Words created in this way are visceral, rhythmical, and, if written down by a fellow participant, alive on the page too. Poets Homer and Rumi “wrote” by spontaneously speaking and singing.
Everyone is welcome in this workshop. Come if you write or perform, if you want to write or perform – or simply to deepen your ability to speak from the heart.
“I take Jean-Claude’s workshops because they’re fun.” – Kathy Benners
“I came to my first workshop with Jean-Claude to learn to be a better writer and speaker, and left discovering a hidden part of me…” John Adams
“Jean-Claude is the only playwriting teacher I ever had.” – Tony Kushner
Jean-Claude van Itallie was central to the explosive American theater of the 60's. Author of “Playwright’s Workbook,” his over 30 works include acclaimed anti-Viet Nam war play “America Hurrah;” “The Serpent” (ensemble piece with Open Theater); “Tibetan Book of the Dead,” often-produced translations of Chekhov’s major plays; “Light; Voltaire, the Mathematician, and the King of Prussia;” and his one-man show, “War, Sex and Dreams.” He’s taught play writing and performing in colleges and retreat centers for many years. He’s currently co-writing the libretto for “Mila, Great Sorcerer,” an opera about Tibet’s singing yogi, Milarepa. (www.vanitallie.com)
Cost: $360 – Early-bird discount ($425 after February 29th)
To register: http://www.creativeinquiry.org/develop/registration-speaking-from-your-heart/ |
............................................................................................................................................................................................. |
| Continuum of Performance: The Play of Life with Emilie Conrad & Jean Claude van Itallie at LaMama, 47 Great Jones Street, New York City: Nov. 8-10 |
Workshop Description
We’re all divine performers – each a perpetually emerging art form -- but ordinary life rarely calls upon the nuances that lie beneath our agreed-upon reality. In Continuum of Performance, you are released from the confined framing of habitual patterns of thought and movement as you express the stuff of everyday life with innate artistry. You realize your words and gestures more keenly as your mask melts into a potent glow. The unexpected has primacy as the essential separation between performer and spectator vanishes. In Continuum of Performance, inspired by spontaneous energy of the moment, you weave a single aesthetic thread into a miracle of meaning. |
|
|
|
|
 |
Jean-Claude van Itallie, Shantigar’s founder/artistic director was central to the explosive American theater of the sixties. Author of Playwright’s Workbook, his over 30 works include acclaimed anti-Viet Nam war play America Hurrah; The Serpent (ensemble piece with Open Theater); Tibetan Book of the Dead (van Itallie is a student of the late great Buddhist teacher Trungpa, Rinpoche); translations of Chekhov’s major plays; Light; Voltaire, the Mathematician, and the King of Prussia; and his one-man show, War, Sex and Dreams. He’s taught play writing and performing in colleges and retreat centers for over 30 years. He’s currently co-writing the libretto for MILA, an opera about Tibet’s singing yogi, Milarepa. www.vanitallie.com |
|
 |
Emilie Conrad, visionary and a movement pioneer, founded Continuum Movement in 1967. Her inspiring innovations are being incorporated into Rolfing, Cranio-Sacral, physical therapy, dance, yoga, Somatics, movement education, therapeutic massage, kinesiology, psycho-neural-immunology and physical fitness.
Jean-Claude says admiringly of Emilie that, “She’s invented a yoga for our times.” |
|
Participant Feedback for Continuum of Performance 2011 |
"Dear Jean-Claude and Emilie,
Thank you again for three great days in your care. It was propitious for me to be there. Was especially touched by your holding presence, Emilie, in the middle of such chaos in my life. Thank you. Thank you. It is with me."... Jeanne Denney |
| |
"Jean Claude and Emilie, my love and thank you for the work you did with us. It was an amazing 3 days of shared exploration. In the world we live in with all the frenetic noise and distractions, it is so easy to lose connection to our universal selves; to become isolated and to close off that part of us and our soul that is directly linked to the spark of creation. My time with both of you was an awakening in my heart that I will nurture. It is that place where we connect to the creator and be the creator; where we remember that we are a microcosm of the universe and made of that same source. I love and am thrilled to have met such sages, who generously pass their wisdom. Peace and light to all involved in this endeavor.".. Gerald T. Glackin
"I enjoyed the entire experience! But more specifically...I deeply appreciated hearing both Emilie and Jean-Claude talk about the body and performance from their respective and overlapping expertises. These discussions/mini-lectures helped clarify, and deepen my experience of the "exercises" so I came to understand what the "continuum of performance" means in a multi-layered way.
I loved the actual embodied exercises we did all three days, moving from the floor to standing, and also adding words. I felt parts of myself wake up and move, or express, that I know have been dormant for many many years. I discovered how deeply we are moved, and how much each of us carries that wants to be expressed, and how innately formed that is, how ready we are at any moment to perform what we carry "inside". I also loved the feeling of pure pleasure in moving/being moved. How deeply this all informs our well-being was a profound revelation.".. Rhea Lehman |
|
............................................................................................................................................................................................ |
| Writing on Your Feet
a writer’s retreat with Jean-Claude van Itallie:
June 24-26 |
| Jean-Claude van Itallie, playwright and Shantigar's founder/artistic director, teaches Healing Power of Theater and Writing on Your Feet, a writer's retreat. “...I came away from my first Shantigar experience with Jean-Claude with tools to be a better speaker and methods for resolving some of my mental blocks. I came to learn to be a better writer, and left discovering a hidden part of me...” John Adams |
 |
Jean-Claude van Itallie, Shantigar’s founder/artistic director was central to the explosive American theater of the sixties. Author of Playwright’s Workbook, his over 30 works include acclaimed anti-Viet Nam war play America Hurrah; The Serpent (ensemble piece with Open Theater); Tibetan Book of the Dead (van Itallie is a student of the late great Buddhist teacher Trungpa, Rinpoche); translations of Chekhov’s major plays; Light; Voltaire, the Mathematician, and the King of Prussia; and his one-man show, War, Sex and Dreams. He’s taught play writing and performing in colleges and retreat centers for over 30 years. He’s currently co-writing the libretto for MILA, an opera about Tibet’s singing yogi, Milarepa. www.vanitallie.com
Workshop Description
Really good writing is from the gut. Gently guided, encouraged by other participants, you’ll write by speaking. Taking your time and staying in movement, breath is liberated from anxiety. You enter remembered and imagined places, giving voice to your senses. A muscular, personal language spontaneously emerges; you become a conduit for the universe. A writing partner records your words. Language created this way is visceral, rhythmical, and alive on the page. This is how the poet Rumi wrote.
(Early Registration: $308; Late registration: $342) |
|
| Come if you’re an experienced or inexperienced writer or performer, if you have writer’s block or can’t organize your material, if you want to write a play, performance piece, memoir, story, novel, poem – or simply deepen your ability to write from the heart. “Jean-Claude is the only play writing teacher I ever had.” – Tony Kushner “I take Jean-Claude’s workshops because they’re fun.” – Kathy Benners |
Participant Feedback for Writing on Your Feet Workshop 2010 and 2011 |
|
"I particularly enjoyed: the workshops, the food, Jean-Claude, and a good use of free time."
"I particularly enjoyed: the walking meditation on the Zen path through the woods, the movement work, and the dream sharing. This was magical, powerful, and the only thing I want is more. I'll be back."
"I particularly enjoyed: everything! Of course, the work most of all, but also the serenity of the place. The food was excellent. The group was wonderfully cohesive, helpful, and talented."
"I particularly enjoyed: the food, the making of theater, the nature, and the feeling of community."
"I particularly enjoyed: the supportive, trusting, exploratory environment. The land itself and the meditation walk were inspiring. I liked the introductory guided moving meditation with "touch" and "eye contact" with strangers. I loved having spare time, and the support to create and explore. Wonder-full. Thrilling. Challenging. Growing, Freeing. Thank you."
"I particularly enjoyed: trusting the the way I inhabit my body throughout the exercises. Blessings and gratitude."
"I particularly enjoyed: every bit! It was perfect."
"I particularly enjoyed: the warmth, the friendship, and the hospitality. Long Live Shantigar!"
"The feeling of fellowship, peace, nature, and all the exercises in the workshop."
"Beauty of natural surroundings, community, gentle but decisive guidance, creative risk taking (not knowing what comes next), the physicality of the work.""
"Dancing. The atmosphere of acceptance, freedom."
"Jean-Claude's teaching, his comments shared with such generosity. Group spirit. Meditation walk in woods. Beauty of the environment inside and out."
"As I worked, step by step directed by Jean-Claude to allow that which was within to come forth."
" Everything! Working with my dream, with my memory of a moment from childhood. I am happy."
"Hearing Jean-Claude's feedback to others. Watching and listening to others perform."
"My own body."
"The spirit of the workshop." |
|
..................................................................................................................................................... |
Moving Medicine a Continuum Workshop with Emilie Conrad: July 15-17
 |
Emilie Conrad, visionary and a movement pioneer, founded Continuum Movement in 1967. Her inspiring innovations are being incorporated into Rolfing, Cranio-Sacral, physical therapy, dance, yoga, Somatics, movement education, therapeutic massage, kinesiology, psycho-neural-immunology and physical fitness.
Jean-Claude says admiringly of Emilie that, “She’s invented a yoga for our times.” |
Workshop Description
A revolutionary approach to a quantum re-mapping of the human body. In Continuum movement the body is nourished so that tissue structure becomes multi-dimensional, as if you were bathing in the elixir of life itself.
In Continuum movement we thrive by expanding the scope of our sensory experience, leading us to access alternative streams of life. We enter the world of cells and mitochondria micro-moving beneath the surface of our conventional world. Our movements become fractals of universal motifs, orchestrating themselves within our versatile tissue.
No longer bound in limited time/space, we adventure freely within the universe of our organism. The human body becomes a continuum of creative possibilities.
Experience the scope of our humanity by entering into frequency realms not bound by time, space or condition.
Learn to move with profound restorative energies enriching consciousness and nourishing the soul.
Just as outer space has increased our knowledge of the world, the same holds true for our inner space. We become pioneers of new ways of moving, knowing, and engaging in the glorious mystery of existence. Welcome to Our Future!! (Early Registration: $340; Late Registration: $378)
Emilie Conrad, founder of Continuum and author of Life on Land is a visionary whose innovations are incorporated in the Somatic, movement education, and physical fitness fields. Jean-Claude says of Emilie, “A master who’s created a yoga for our times.”www.continuummovement.com |
Participant Feedback for Moving Medicine a Continuum Workshop |
|
Group photo of Continuum workshop attendees 2011 courtesy of Jigme Josh Bryant. |
| Click on a photo to view a larger image. |
|
|
|
"Particularly enjoyed Zen walk with statues in the woods. What a magical place, well-created."
"Particularly liked nature, peace, laid-back, calm, soft contact, comfortable conscious context and construct."
"Particularly liked natural atmosphere, woods, and Emilie."
"Particularly enjoyed place and wkshop. Loved my time. Many thanks."
"Particularly enjoyed forest, peaceful atmosphere, mindfulness in the moment, Emilie's presence."
I particularly enjoyed --
"Emilie -- her transparency, her inspired in--the-moment teaching, and her personal attention to each of us. She gave perspective on how society models body and mind, and vice versa. "
"Full moon light and pond swim. Wildflowers and tenting possibilities."
"Natural setting free from toxicity. Fresh air. Natural fractals and sounds."
"Emilie and beautiful environment."
"Emilie and fellow workshop participants."
" Masterful teaching."
" Emilie and walks in the woods."
"Emilie! The land!"
" Practicing Continuum."
|
...................................................................................................................................................... |
| Acting and Being
an Acting and Meditation Workshop with Parlan McGaw, Rae C. Wright, Andrew Eldredge, and Jean-Claude van Itallie:
July 27-31 |
|
 |
Jean-Claude van Itallie, playwright and Shantigar's founder/artistic director, teaches Healing Power of Theater and Writing on Your Feet, a writer's retreat. “...I came away from my first Shantigar experience with Jean-Claude with tools to be a better speaker and methods for resolving some of my mental blocks. I came to learn to be a better writer, and left discovering a hidden part of me...” John Adams |
|
 |
Parlan McGaw (AEA, SAG) has acted with the New York Shakespeare Festival, Old Globe Theatre, Virginia Stage Company, and other theatres in New York and regionally, and he made his film debut in Todd Haynes’s Poison. He has been an authorized meditation teacher in the Shambhala Buddhist tradition since 1993 and conducts meditation programs in New York City and upstate New York. For two summers he co-led a weeklong retreat for actors at Karme Choling Meditation Center in Vermont with master acting teacher Michael Howard, and he has taught Meditation for Actors at the Michael Chekhov Acting Studio in New York and at the Michael Howard Studios, where he is on the faculty of the summer conservatory. click here |
|
 |
Rae C Wright is an OBIE-Award winning actor, a writer, and experimenter in the theatre. She has written 3 full-length solo works and collaborated on 3 two-character plays. She uses meditation practice as part of her teaching of Actor’s Craft at NYU in Undergrad Film & TV. A one-time student of Ryscard Ciezlak, Kim Stanley, Lee Strasberg, she learned from Pina Bausch & Merce Cunningham, and most recently played the 60 year-old Argentinean Jewess in Sarah Ruhl’s “The Clean House” at Actors Theatre of Louisville, and Bernie Madoff w/text by Deb Margolin in the Circus Amok production at PS122 in NYC called “Cracked Ice”. She worked w/The NYStreet Theatre Caravan for 18 years, and believes theatre to be the be-all/end-all. |
|
| Workshop Description |
Acting and Being is a five-day, four-night retreat program for those interested in exploring connections between meditation practice and performance, between body and mind. Taking place in the secluded beauty of the natural world, we’ll build community as we open to what is—rather than what “should be”— present to ourselves, the environment and to others.
In the belief that acting training is also training in being human, we’ll examine how meditation helps us cultivate the mental focus, physical freedom, emotional range, and spontaneity that make for vibrant acting and vibrant living. Acting exercises, improvisations, scene work, and daily meditation nurture the possibility of seeing the world as it is, and of artfully expressing yourself in it.
Shantigar, named by the Venerable Chogyam Trungpa who wrote his Shambhala teachings here, and where many theater pieces have been created since the sixties, is the ideal place for this retreat.
Open to all, from professional performer and avid meditator to someone beginning to explore new horizons. |
|
Participant Feedback for Acting and Being Workshop 2010 |
|
"I just got back.
The world should know.
I"m not the same.
A week ago I attended a 5 day retreat/workshop titled "Acting and Being". Really, I'm not too into the whole meditation hoopla -- i just thought getting away would be a good thing to do for my birthday.
Well well well.... I ordered a lamb shank and received a whole herd! This place is truly magical.
Hidden away in the forests,with rolling hills,and mysterious ponds, on top of the world resides Jean Claude van Itallie.
http://www.vanitallie.com/
I met Jean Claude when he was putting fresh flowers into the workshop tent. He was wearing a captain's hat, speedos, and bright yellow crocs. Ladies and gentlemen, we are not in Manhattan anymore.
Anyway, we camped, but Shantigar does offer some housing for a reasonable rate in Jean-Claude's AMAZING house. At the Shantigar shed we were fed 3 delicious organic meals a day by the sweetest ladies who run an Inn down the road We studied, meditated, and experimented all day long. We had a few hours rest in between which I personally spent swimming in a gorgeous lake.
WHAT ELSE COULD YOU POSSIBLY WANT?
Oh ... wait.. and our instructors aside from Jean Claude, were Rae C. Wright and Parlan McGaw who were knowledgeable, full of energy, and kept us on our toes.
There is info on the webiste about upcoming workshops and retreats.
.
Treat yourself, get away from the concrete jungle. This isn't just for actors or meditators. Most people there just needed some time to heal.
So excited. I WILL BE BACK, SHANTIGAR!" Helen Nesteruk |
|
............................................................................................................................................. |
| The American Musical as Spiritual Experience with Carol Fox Prescott and Stephen Kitsakos: Aug. 12-14 |
| |
|
Carol Fox Prescott, the New York acting teacher, annually leads performance workshops for all comers, using techniques based on breathing and awareness. Her workshops inspire confidence to perform more fully in life. |
 |
Have you ever stood by a piano and let your voice ring out with the songs of Rogers & Hammerstein, Berlin, the Gershwins — felt waves of joy surge through you as you moved to melodies from the Golden Age of the American Musical Theater? Discover how to kindle this kind of joy within yourself. Drop inhibitions, open to the wonder, power, and pleasure of song. Feel the strength of your voice as you throw your arms out, rear your head back, and let the sound out. Allow your whole body to shout the hallelujahs of familiar old songs that sing from the heart.
If singing frightens or delights, you belong in this workshop. Lover of songs,
or undiscovered Broadway star — all are welcome, all will benefit. Choose a song, learn it by heart, bring it to the workshop, and let yourself be guided by Carol‘s gentle teachings. Let’s sing! |
|
| Carol Fox Prescott, actress, singer, director has trained professional actors for over 30 years in her NYC studio. Her unique approach to acting is based on breathing, awareness and the pursuit of joy. www.CarolFoxPrescott.com |
 |
Stephen Kitsakos, who teaches Theatre at SUNY-New Paltz, trained at NYU and BMI Music Theatre Program. In his teaching Stephen makes strong connections between performance and the healing power of art.
|
|
| Registration Fri Aug 12 at 2:00 PM, workshop starts at promptly at 3:00 in the tent, ends at 6:00, then dinner. Sat 10:00 AM to 1:00, then lunch; workshop 3:00 to 6:00, then dinner. Sun 10:00 AM, to 1:00. Fee, $315 includes three meals. |
Participant Feedback for The American Musical as Spiritual Experience 2009 |
"Everything excellent. Particularly enjoyed every aspect of the teaching, my own little room, the unbelievable grounds and the house, and Alix the cat -- the generosity and ease of the experience."
"Workshop was wonderful and this is a beautiful magical place."
"I enjoyed everything, really. Would have enjoyed a hike on the grounds led by Jean-Claude, though I saw a lot by myself."
"I particularly enjoyed the small group, hearing comments specific to me and to everybody, establishing space of love and safety, and a lively and fun accompanist."
"I particularly enjoyed having time on my own in my tent and walking around Shantigar outside the wkshop experience."
"Fabulous:"
"I particularly liked the walks on the land with Mr. van Itallie."
"Carol and Steven are brilliant teachers -- delights."
" I particularly liked drinking raw milk, my room in the house, and walking the grounds."
"I particularly liked working with Carol and Steve -- it's always wondrous."
"The workshop was totally great."
"It was fantastic in every way."
|
|
............................................................................................................................................. |
|
|
|